But does that make Stardust Memories a failure, pretentious? Not to my point of view- once Allen starts the story rolling, and he gets his characters/actors into the gist of the film, it goes along like most other Allen films involving phobias, fears, loves (women), and sophisticated sense of varied parody. In short, a lot of the 8 1/2 dues were my least favorite parts in the movie (though I did like the quick Superman-type mementos). But while Fellini made his film out of a burning need to reveal all of his love for cinema out of his angst(s) after La Dolce Vita, Allen's track record shows that he's near incapable of waiting around too long to make a film (he's averaged nearly a film a year in 37 years up till 2003) so much of what comes forth in Stardust Memories isn't as much autobiographical as it is told through a character filtered with and not with himself. I could see what Allen was doing, for example, with the scenes and instances of tipping the hat to Fellini and his masterwork 8 1/2- the two films share that common thread of an artist in an overall funk of bittersweet memories and creative confusion. This is not to say that the film is one of his very best. and, in Sandy Bates, the lead of his satire on celebrity, loves, and his usual themes of turmoil over life and death, is a sense that Woody Allen is doing one of two things (or both perhaps)- taking from his own life and thinly disguising characters and situations, or using his own public image in film's culture to look through the looking glass slightly at some of his popular themes.
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